I never liked that word. For cellist Alisa Weilerstein as for all of us life in 2021 involves a lot of rescheduling. Moyas fragments depict an early-morning brew, an after-lunch pick-me-up and a sludgy cup needed for staying up late. When she finally forced herself to play again, she found herself staring out of the window, wondering what her field might look like when, or if, performers returned to the stage. What do you think of as being the most important creative resources for doing what you do? Hablas espaol? There will be limited program notes in advance, little to guide listeners except their ears and eyes through a collagelike narrative arc assembled from musical fragments. She lives with her husband, Venezuelan conductor Rafael Payare, and their young child. December 4, 2012 The celebrated young American cellist walks us through her recording of this "devastating" concerto written just after the end of World War I. A Cellist Breaks Music Into Fragments, Then Connects Them hide caption. She spoke to Scott Simon from the Spoleto Festival USA, where she'll be performing through June 12. So that was a very important thing. But this project is intended to reimagine what a cello recital can be, to challenge some of the conventions that Weilerstein thinks might inhibit a listeners immediate response to the music, and to add layers of theatricality to the arguably staid traditions of the concert hall, in an acceptance that a musician is, after all, performing on a stage. There are myriad reasons, of course, Weilerstein said, exploring the apparent divergence in the fields, but there is one very fundamental thing, which is, you walk into an exhibition, you see the painting or you see the work of art before anything, and it can hit you right where it needs to hit and then you can find out all the context around it. The perspective gives you something. To shed the Rorschach inclination towards finding meaning in the program before hearing the music was a really important piece of the puzzle, Pulitzer said. This is the philosophy behind the project, fundamentally: connecting the pieces, connecting the voices of our time together, connecting the familiar and the new, connecting this music with the audience without the barrier of so much contextualization, categorization, bias, all of these things., And connecting, she added, our contemporary world with the concert format. Pentatone's sound is a bit too close but catches the intensity and the controlled spontaneity of these readings. Cellist Is Chosen, And Challenged Alisa Weilerstein (1982-) Alisa Weilerstein. Fragments is an attempt to fix a problem, Weilerstein said of relying too much on our old models of presenting, especially when it comes to new music.. Alisa Weilerstein Allegro molto vivace 11:54 Golijov: Omaramor For Solo Cello 8:14 Alisa Weilerstein (cello) Recorded: 2012-10-14 Recording Venue: Teldex Studio, Berlin June 16, 2010 Musicians at the 2010 Spoleto Festival U.S.A. bring out the "Gypsy" in Haydn and Brahms. September 11, 2008 Cellist Alisa Weilerstein was born into a musical family with a love for chamber music. To everyones credit, I think, everyone is wrestling with this issue, Weilerstein said in a recent interview from Toronto. Allegro maestoso ma appassionato 9:33 2. | Disclaimer | Sitemap Conversation Alisa Weilerstein on what it means to be a classical musician Music , Beginnings, Collaboration, Process From a conversation with T. Cole Rachel April 19, Alisa Weilerstein - IMDb Alisa Weilerstein (Cello) - Short Biography - Bach Cantatas Website All Rights Reserved. Thats a constant discussion. The staging does offer some hints about the music, as if to hold the listeners hand. Among these cookies, cookies classified as necessary are stored on your browser because they are essential for the functioning of the basic functionality of the website. She knew exactly what to do and what not to do with a young person. 25 by Brahms on June 11 at the Spoleto Festival USA in Charlestown, S.C. I think of Mozart as a true prodigy. Bach was not available for consultation, but she is subjecting his suites to the same treatment. Come that November, Weilerstein had put her cello away, and she was taking long walks on the beaches near her home in San Diego instead of practicing. 1600 Saint-Urbain Street, Since making her professional and Carnegie Hall debuts in her early teens, she has been in high demand as a solo 6 in D major, BWV 1012, into a sub-climax that concludes CD 1. It gives you a totally new tool. Meet Fragments, a project whose first installment of six Weilerstein will perform at Zankel Hall on April 1. En Espaol. Weilerstein avoids the dance rhythms for the most part, but sometimes, when they serve her purposes, they show up, and the surfaces are strikingly variegated. Learn all about Alisa Weilerstein on AllMusic. WebExplore Alisa Weilerstein's discography including top tracks, albums, and reviews. Any cookies that may not be particularly necessary for the website to function and is used specifically to collect user personal data via analytics, ads, other embedded contents are termed as non-necessary cookies. What did she as a violin teacher have to offer you? He was Dad (laughs). hide caption. May 22, 2022 6 AM PT Balancing an infant with a whirlwind career as one of classical musics most in-demand cellists comes easily for Alisa Weilerstein. Cellist Alisa Weilerstein has appeared with leading orchestras all over the U.S. and Europe and has played chamber music with her parents, both well-known performers, in the Weilerstein Trio. Her brother is also a conductor and violinist. May 27, 2011 A consummate artist even before she was out of her teens, 29-year-old Alisa Weilerstein has already been granted extraordinary opportunities, from playing for President Obama to taking on an iconic musical assignment. } Luckily, I didnt ever have that fear. Fresh, moving, timeless, and some of the most beautiful writing I can think of. For example, Im about to play the Elgar concerto with the National Symphony in Russia. She also is active in chamber music and performs with her parents, violinist Donald Weilerstein (the founding first violinist of the Cleveland Quartet) and pianist Vivian Celebrity Series of Boston Alisa Weilerstein: From Bach To The Backstreets Of Buenos Aires. Cellist Alisa Weilerstein. Its not about expressing the performers personality, but that inevitably happens. In that sense, theres no substitute for time away. Cello virtuoso Alisa Weilerstein is always at the head of her class. Known for her consummate artistry, emotional investment and rare interpretive depth, she was recognized with a MacArthur genius grant Fellowship in 2011. hide caption. But disabling some of these cookies may have an effect on your browsing experience. It felt a little bit all right, it felt a lot risky to give her a piece about coffee like that, Moya said. Violinist Livia Sohn, pianist Inon Barnatan, cellist Alisa Weilerstein and violist Barry Shiffman (not pictured) dig into the the Gypsy-influenced Piano Quartet, Op. Those were the kind of stories you heard. Now, the youngest Weilerstein's profile as a soloist is being kicked into high gear. Alisa Weilerstein is an American classical cellist who began performing professionally at the age of 13. 4 in E-flat Major, BWV 1010. Free to write what he wanted, Moya drew on the personal ties that he has to Weilerstein through the conductor Rafael Payare, her husband. May 27, 2011 A consummate artist even before she was out of her teens, 29-year-old Alisa Weilerstein has already been granted extraordinary opportunities, from Does the Pressure of a Pandemic Transform a Cellists Bach? .st0{ But I wanted to go with my gut, and relate my work to something that might connect with her on that level, not a technical or a composer-y level.. Alisa Weilerstein - Wikipedia Alisa Weilerstein : NPR Alisa Weilerstein Songs, Albums, Reviews, Bio & More | AllMusic I count myself incredibly lucky in that respector maybe I was just very stupid, I dont knowthat I wasnt afraid to be in front of people. Alisa Weilerstein performs at the National Aquarium in Baltimore. You have to be in good shape to play the instrument well. Ive been looking forward to working with the Orpheus Chamber Orchestra because they dont play like a typical orchestra with a conductor at the head, in which case you just follow the conductors beat. Law Office of Gretchen J. 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