We told her what happened in a meeting and she agreed to meet with the station. In line with its slogan, "The People's Station", KMEL broadcasts the community-affairs show Street Soldiers, hosted by Dr. Joseph E. Marshall, on Sunday evenings. "Man, what do you think?" On February 5, 2015, iHeartMedia announced it was changing KHHT back to urban contemporary the following morning. The former outfielder spent five seasons in the Major Leagues. It is believed that KKBT was inspired by KMEL and KDAY. to see possible family members, friends, co-workers, and associates found from multiple government records, social and public sources. KHHT was one of three urban ACs serving the Los Angeles market; the others were KRBV (formerly KKBT, which changed from R&B/hip-hop in May 2006, but was sold by Radio One to Bonneville International in April 2008), and KJLH, whose signal is not full-power and barely penetrates the San Fernando Valley. As of August 2018, the American cable channel FM now carries an edited video simulcast of the station's morning show, Big Boy's Neighborhood, weeknights and mornings. Mike Stradford didnt hire me, but as soon as he was out, John Monds hired me when I sent in my, by that time, 20th air check. Theo mizuhara, he was in some music videos in the 90s. [75] The entire "Hot" airstaff was released (including Art Laboe, who would later end up on KDAY) on the same day as the announcement, as KHHT began promoting a "major announcement" at 9:23a.m. the following morning, and running a "300 Greatest Hot Songs of All Time" countdown set to conclude at that time. Farmer went on to play college basketball at the University of Nebraska, where he became a star player. [10] The fierce competition over the coveted 18-34 year-old "urban" listening audience continued for another four years until the passage of the Telecommunications Act of 1996 expanded the limit of radio stations that a company could own. KMEL was the first pop station in the U.S. to play "Wild Thing" by Tone-Loc and "Bust a Move" by Young MC and first of any radio station in the country to play "U Can't Touch This" by Oakland rapper MC Hammer and "Ice Ice Baby" by Vanilla Ice. By the time we approached the organization, Sandra Evers-Manly was the president. Besides a standard analog transmission, KRRL broadcasts over two HD Radio channels, and is available online via iHeartRadio. Paul remixed Salt-N-Pepa's "Push It", which had been a B-side song, and this remix was played first on KMEL. Either email addresses are anonymous for this group or you need the view member email addresses permission to view the original message, For those of you who are interested in finding out the person behind the, You do not have permission to delete messages in this group. [63] While the station attracted criticism for its aggressive on-air tactics, KKBT's ratings rose significantly after the switch;[63] by the summer of that year, it evolved to a strictly urban AC format. [42], The on-air heartbeat sound stunting would continue for the next 23 hours, interspersed with brief snippets of rock songs,[42] ahead of the debut of KKBT the next day (September 21, 1989). [73] The announcement came just a day after KHHT's HD3 sub-channel launched with Air 1 and just a few hours after KPWR's morning host Big Boy announced he would leave KPWR for KHHT. Radio Station: [KMEL] 106.1 Mhz, 106 KMELBroadcast: Club 106 Power MixLocation: San Francisco, CA (USA)Date: 1989-08-06Hosted By : Mastermixes Dj' : Theo Miz. Finally, there was a meeting called, and the late Craig Wilbraham, who was white, declared the station employed a majority of black employees, but that was not true, and there were very few, if any, in management or decision-making positions. Though the music he plays on the air is largely picked by the stations music director, Harold Austin, and his staff, most of the records mirror his own taste, which ranges from West Coast hip-hop to smooth R&B; oldies. Theo had a #successful #radio show on #LA's 92.3" "[8] In August, Bennett and Regelski went to work at KQAK. [15] Promoting her song "Slave to the Rhythm", Grace Jones visited the morning zoo in 1986, meeting Hall, London, and Engelman. [57][59] However, the format failed in the ratings; in the Winter 1990 ratings report for the market, KKBT was ranked 8th 12+, 10th in the 25-54 year-old age demographic, and 15th in overall cume. Translation: I'm queer, any objections?~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~. I would have run it. He was private, laid back, and didnt seem to be into the status quo or the Hollywood persona. He was under a lot of pressure as women were crazy about him, and men wanted to be around him for that reason. Later on in the call, you feel Quik's thought process break down. Also in 1992, KSOL, which ironically suffered in ratings due to KMEL's newfound success, retooled itself as KYLD "Wild 107.7" (now "Wild 94.9") and quickly emerged as KMEL's prime competitor for their mutual core audience demographic. Per Nielsen BDS reports, they are urban contemporary, KBFB in Dallas/Fort Worth are rhythmic contemporary stations per Mediabase reports, but they report on the BDS urban panel despite being the only rhythmics in those areas where there are existing urban contemporary stations (WKYS/WERQ and KKDA-FM). [69] However, KHHT was not a typical urban AC station; this station was one of the first urban AC's to play more old school/classic soul, the more mainstream-level R&B (barely-to-not playing neo-soul at all) and some rhythmic and Latino pop/R&B songs to cater to the Hispanic and Asian audiences that listen to R&B music in particular. One of the best in the nation, and shortly after I saw him, he decided to send out a memo ON KKBT LETTERHEAD describing how racist they were to all the industry trades. In this way, KHHT's playlist structure was the inspiration for other urban AC markets in the western half of the U.S. such as sister stations in KISQ San Francisco, KSYU Albuquerque, and KHYL Sacramento.[70]. My Lovin' (The Morning After Dub) (1992) by En Vogue Remixer credit: Theo Mizuhara. KGO-FM moved to 106.1 FM on November 3, 1947, with facilities at a former General Electric plant on East 12th Street in Oakland. government sources. "[41] Jim de Castro, who was appointed as KFAC's general manager from Evergreen's WLUP in Chicago,[42] later admitted he won free use of that billboard for a month as the result of a golf bet. He was outside talking to an older black musician that he knew. WHat ever happened to Theo | San Francisco - Yelp They played current based hip hop/R&B but it didn't work out. The rumor got so widespreadhere in San Francisco that Theo actually started telling people overthe air that it was indeed him in the video. Theo Mizuhara 106 KMEL Powermix 1992 #02 - YouTube The station's powerful signal is heard all over the Bay Area and covers areas as far north as Santa Rosa and as far south as the Santa Cruz Mountains. I could never imagine a country radio station or a rock radio station having a slogan like that. Navalny Where Is He Now? Lynell George is a Times staff writer. Being that 100.3 was going to an African-American owned company known for urban formats, it seemed that "The Beat" would likely move to 100.3 intact. Who's Searching for You, Look Your Best to People Searching for You. We know that Theodore's political affiliation is unknown; ethnicity is Asian American; and religious views are listed as Shinto. "[10] Two on-air personalities hired in this era came from local college radio stations: Davey D from UC Berkeley's KALX and Kevvy Kev from Stanford's KZSU. Report as inappropriate 3/14/2015 Big T. Koreatown, Los Angeles, CA 208 friends 89 Report as inappropriate Does anyone know where DJ Theo (Theo Mizuhara) has went. In January 1982, KMEL obtained a new rival when KCBS-FM transformed itself from an adult contemporary-format station into rock-formatted KRQR. -- ------------------------------------------------------------------------------Mickey Chiu E-mail: mc@svpal.orgThe Funky Yellow Bro mc@scuacc.scu.edu c-mi@hoffman.cc.sophia.ac.jp.
When the switch was made at 5 p.m. on June 30, 2000, the formats and call letters did come along for the ride, with 92.3 becoming KCMG, "Mega 92.3", and 100.3 becoming KKBT, "100.3 The Beat". Report as inappropriate. Evergreen Media ended the ratings war with KYLD by purchasing it later that year. My Lovin' (You're Never Gonna Get It) - WhoSampled
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